POV — see, hear, feel. POV is anyone.
seehearfeel
It begins in the eye.
POV is a point of view. Not a sound to consume — a way of seeing. And the eye, the first instrument, belongs to anyone. You look, and the world begins.
The eye opens. A point of view is just a place to look from — and everyone has one.
What you see, you start to hear. The image becomes a sound, the silence a rhythm.
And what you hear, you feel. That's where POV lives — the moment it lands in you.
So this isn't one person's project. It's a world — and you're already looking through it.
First, POV spoke in sound.
POV001 is the first word — a complete track grown from twenty-three notes, four pitches, played one morning. A small question and its answer. Around that seed: a hypnotic current, a lead that wakes up, a collapse, a rebirth.
Not perfect playing. A first sentence, spoken honestly — see it, hear it, feel it.
I build music the way I build software.
Underneath the world of POV is one way of working: from first principles. Every piece — a sound, an image, a moment — is engineered like a system and felt like a held chord. Precise and warm at once.
// the arc of every POV track — a journey, always
Every note has a reason.
I don't place sounds randomly. Every note, every filter, every movement comes from an explicit function — not a guess. The choice exists because something asked for it.
A track is a state machine.
Not a collection of sounds — a system of states and transitions. Patterns create meaning; deviations create awareness. I version it, refine it, and let the structure carry the feeling.
Even the chaos follows rules.
A forest isn't random. A coastline isn't random. A flame isn't random. They're systems that make infinite variation from simple laws. I want the music to feel the same — alive, intentional, emergent.
The ear judges last.
I start from first principles — frequency, psychology, math, relationship — and only at the very end do I let the ear be the final judge. Engineered and emotional, at once.
Where it's clearest: a track and a piece of code are the same object. Same seed, two languages — one you read, one you feel.
// pov001.tsconst seed = [0, 3, 7, 10]; // four pitcheslet tries = 0; while (!itFeelsRight) { tries++; // fail. restart. again.} // after all of that —export const POV001 = speak(seed);eight steps · four pitches · one question, then its answer.
Behind the first eye, a person.
I'm Salem. For ten years I built software — iOS apps, design, products. I learned that the world has no real limit if you meet it with the right mindset. Anything is learnable.
Music was the one language I loved my whole life but never spoke. So I came at it the way I come at everything — from first principles. I got it wrong many times. I failed, restarted, failed again. Then one morning I said my first two notes.
From two notes, a language. I'm still a beginner — learning to speak in sound, meaning every word.
“Music is not a collection of sounds. It's a system of states and transitions where patterns create meaning and deviations create awareness.”
I'm learning to speak as of now.
Many wrongs. Many fails.
I failed, restarted, failed again. The price of a first word.
The first two notes.
Like a child writing their first two letters. The language began.
POV001.← here
The first word, spoken honestly. Out now.
Tomorrowland DJ Academy.
Where I go to keep learning the language.
One day — the Tomorrowland stage.
Not because I've arrived. Because I've started, and I intend to keep speaking.
You've been looking through your own eyes this whole time.
POV is anyone.
Anyone is POV.
See it. Hear it. Feel it. The eye was always yours — which means this world is too.
What's your point of view?
A booking, a collaboration, or just what you saw, heard, and felt — the door is open. I read every message myself. Come be part of the world.